Turbulent times in today’s world and a mental health crisis call for boosts of light and pushes of positivity wherever they can be uncovered. Dua Lipa shared she’d known, at least the title of her third album, right from the release of her first. The 11-track piece is an enjoyable bundle of pop, feel-good songs that aren’t overcomplicated with lyrics but, still send some much-needed reassurance messages. While Radical Optimism is not exactly as “radical” as to be expected, the underlying theme of learning but, growing and finding the up side to each and every situation or outcome; rather than raging on or holding it in to cause yourself more pain or frustration.
1. End of an Era
Acknowledging a period in life is done and over with is more complicated much of the time than it should be. Often, there is a phasing in and out of that timeframe that feels murky and uncertain from feelings and attachment. “End of an Era” puts a whimsical spin on that finish line by calling out what’s ahead and all the exciting unknown that comes with a new chapter.
2. Houdini
Poof! The singer proclaims to be just like the famed illusionist Harry Houdini as she is here and gone in a flash, noting time is precious refuses to miss a single second of anything new and different in her path. The fun lead single is a playful earworm that keeps you hooked with every play.
3. Training Season
At the first listen, I had no idea how this was going to translate into a song. Thinking to myself, “a song about athlete’s down season? Nope, it may miss a mark.” I was wrong. The singer states her qualifications for her next round in the ring of love. She’s certainly not looking for any weak link. With the chorus staking its claim, nobody better be messing around when it comes to qualifications.
4. These Walls
Reflecting on a breakup, the song speaks of rooms and homes having history that only the people inside know of. And from the singer’s perspective, it is more obvious in hindsight what should’ve happened sooner but, the tone of the song gives a slight but sure sense of comfort knowing all is said and done now.
5. Whatcha Doing
Arguably what could be a Summer-2024 anthem, “Whatcha Doing” is playful and flirtatious in which the pre-chorus teases the idea of letting go and allowing the happiness to just rush through her body and mind with no regrets. It’s a simple yet, catchy song that bridges the album quite effectively.
6. French Exit
Admittedly, I was unsure of what this song was going to talk about. In researching, a “French Exit” is the equivalent of the Americanized form of ghosting. In this case, two lovers just do not acknowledge anything about the situation other than to turn the light off and close the door behind them. It’s a cut-and-dry solution to start anew for both parties without the drama.
7. Illusion
Feeling and presenting herself as smarter than her counterpart, she has seen these emotional tactics and mind games before, she won’t be the fool this time around. A dance party ensues putting the mystery man in his place while playing off of the “Houdini” concept. Lipa sounds like her most confident self on this track.
8. Falling Forever
In listening already maybe 15 to 20 times over, this has become my favorite track of the album. “Falling Forever,” firstly has a similar backbeat of Celiné Dion’s version of “I Drove All Night,” of which I could leave on repeat many days at a time. Additionally, the song is a literal free-fall of bliss and pure desire to keep the positivity flowing. The song will have you dancing the night away.
9. Anything for Love
“Anything for Love” is a soft touch of the keys that resembles its own sense of warmth. It’s a reminder that giving up has become the go-to, easy solution. But, fighting and working on love is worth so much more of the happiness it would bring from the work put in. Alas, that only comes if both parties want the same.
10. Maria
Dua Lipa is exceptionally graceful in singing of her partner’s former lover and accepting what will always remain a piece of them. History, good or bad, there were lessons from that, that now Lipa has benefitted from in which she thanks “Maria” for.
11. Happy for You
The album’s finale is a reflective psychedelic piece where the singer finds herself in a state of contentment and happiness for her former lover. In the long run, there was no need for the harrowing emotional toll or fights back and forth that more than likely occurred. Lipa now can say she is at peace where she is at and is turning the negative into positive.
Radical Optimism may not have a lot of “meat and potatoes” where a bulk of lyrics unwrap a traumatic event or lifetime story but; the album holds its own with its theme and poetic push for a change of mind and embracing the best of each time and place. The album plays well if you need to push yourself to move through the day or lift your spirits and Dua casts an amazing spell with her voice that modern music has completely overlooked.
One word turns into a story quickly. It is who is willing to listen to that story that sets new stories and adventures in motion. Put a little sound to that movie, Music has a way with words like no other medium does. It has become unavoidable in every moment of our lives. The art often molds our character, as well as, shape the way we live our lives. For me, several women influenced my love and passion for music. The messages sent through the songs and personalities of these women, and the incredible craft and range of these artists embody so much of how I see music as a whole entity. These 7 women all had a hand in shaping and forming my musical foundation, amongst many others.
Shania Twain
Shania Twain saddled up onto the music scene as a dueling ‘Queen of Country-Pop Crossover’ alongside Faith Hill. Her smash hit Come On Over, was the first album I had been introduced to and ultimately fell in love with. My mom and her best friend would blast the stereo with these songs endlessly growing up. The only song I seemed to always skip was “I Won’t Leave You Lonely,” only because that’s the song they would skip too. Everyone knows the empowering anthem, “Man, I Feel Like a Woman.” That song launched her into the stratosphere. Songs like “Don’t Be Stupid (You Know I Love You)” and “Come On Over” utilized a host of strings synced-up beats respectively, while “Love Gets Me Everytime,” “Honey, I’m Home,” and “Rock This Country” carried a kick-ass bass and drum rock undertone; all while presenting a pretty pop-country presence and eloquent vocal arrangements. Of course, the song that truly hits home is “You’re Still the One.” Embodying what everlasting love and devotion sincerely mean, the song not only is one of Twain’s most admired records, but, a song that my mom wishes that I would one day sing for my parents, should they ever renew their vows. Come On Over has shaped my musical experience more than any other record in history.
P!NK
She’s been a badass from day one. P!NK redefines rebellion as freedom and individualistic. And although she might ride the pop coattails, the Hurts 2B Human singer solidified a spot amongst the greats and conquered her fight to make a name for herself in the pop-diva realm. In 2008, Funhouse dropped like an atom bomb onto the music scene. It was P!NK’s first album that, as a whole, I was able to take in start to finish and knew about from the moment it was released. Other past hits like “Just Like a Pill,” “U + Ur Hand,” and “Get the Party Started” set the stage for her to not only grow into an adult badass. But, her artistry opened up a door that allows pop music talent today, to go all out on their fashion, trends, and simply allowing those new artists to truly be themselves more openly. The album is one of, if not her best record to date, because everything about its release flowed so seamlessly together. Its release date was just a little before Halloween 2008. The title of the album, along with several of the tracks prove to be a thematic masterpiece of carnival thrill.
“So What” and “Sober” begin the album with contrasting excitable and melancholy tones to the respective tracks. While both talk of a freeing sensation yet, with different tones: one excitable, one melodramatic. The album is a joyride in itself. While there’s definitely more somber songs on the record, tracks like “Bad Influence,” the title-track “Funhouse” and even “Please Don’t Leave Me” (while the message is still sullen; all offer an electrifying burst of color and excitement to this 2009 hit.
Faith Hill
You could call the duo, the Mariah and Whitney of country music. Faith Hill splashed into the musical limelight around the same time as Shania and garnered her own posse of a fan base. And although she’s been fairly quiet in the last decade as a solo artist, she has released a number of albums and tracks alongside her husband Tim McGraw.
Take Me AsI Am began Hill’s lasting legacy in country music in 1993. Spending a lot of time in my mom’s car, the album was a staple on our playlist for sure. The title-track ignites the the album with a pulsating drumbeat. With an even amount of fun and uptempo tracks to somber ones, despite it being unevenly distributed in sequence. “Just About Now” is a timeless piece because it speaks of truly living in the moment. There’s something about certain people that you mean that you just realize quickly – they came into your life for growth and enjoyment of the moment. If you’re anything like me, you never want to let that go.
Opposing that song, with the same message but, in a different form; “Life’s Too Short to Love Like That” is wake-up call to those who do not wish to continue watching something or someone negative slow them down. The constant pull-and-push concept is not effective or conducive to a flourishing or healthy relationship. But, whether it’s the empowerment of “Go the Distance,” the carefree spirit of “Wild One,” or determined mind of “But I Will;” there’s a song that fits perfectly for every moment within life. And that essentially, is what a well-crafted album represents – a story.
Carrie Underwood
Carrie Underwood found herself in the midst of immediate stardom following her win of the hit TV show American Idol in its fourth season. Her vocals and beauty wowed the show’s crowd and audiences to come soon after. My musical fascination for Underwood, started from the beginning and soon after her win, developed into a fandom that feels justified. The soothing tone to her voice, and her ability to weave in and out of themes and stories of her songs is her most amazing quality.
Some Hearts, her debut work found itself going multi-platinum (enough for the time-period to not only put women back on top of the country charts but, also to be certified that highly by any country artist since 1991 and overall by any female country artist. Certainly, it would make sense commercially, that the sophomore effort would not do as well as its predecessor; however, the growth and artistry development that Underwood displayed on album 2 was the beyond poignant.
The first album is most often the hardest to top because it builds a foundation from which the artist can establish their fan base upon and also find a theme and style that best fits each one. Carnival Ride was just the icing on the cake following Carrie Underwood’s breathtaking debut. The sophomore 2007 smash-hit is as bright as its cover. Although, the cover may be a bit misleading, with songs like: “Just a Dream,” “You Won’t Find This,” and “Wheel of the World” – there are notes of haunting spells within this piece of work that are simply captivating. From the deep-rooted family ties of “All-American Girl,” to the devastation of “Just a Dream,” to the internal turmoil of “Twisted;” there’s a little piece of magic within every song.
Toni Braxton
Given today’s times and music standards, you would be astonished to hear Toni Braxton’s name mentioned on the radio or pop-culture overall. While she is still making hits and working effortlessly within the music and entertainment scene, there is a certain nostalgia feel from her early work. Along with her eponymous debut Toni Braxton, Secrets is the gem of an album that drew me automatically to love her. Her debut was always her on rotation during car rides as a child but, soon after I became a bit older, I listened to more of her works and fell in love with this record.
It’s true, no one touches sensuality and soulfulness in their songs like Toni Braxton. She knows how to move her voice to the music and lyrics she is presented. Today’s generation will never comprehend ‘real’ and ‘true’ vocals like Toni’s because now the entertainment value is driven by quantity of hits and views rather than quality of the craft and artist. Toni Braxton breaks the foundation with the smash single, “Un-Break My Heart.” “Why Should I Care” is a breath of fresh air, of living life by her own terms which is rare for a love-infused album. Two songs that highlight how hypnotizing and soothing Braxton’s artistry is.
Avril Lavigne
Canadian singer, Avril Lavigne released her pop-punk debut record Let Go all the way back in 2002. It was one of the first CDs that I had bought when they became the mainstream of music, alongside No Secrets by the band of the same name and Aaron’s Party (Come Get It) by Aaron Carter, (I know…what a collection). Lavigne has managed to propel herself into the same level stratosphere as some of today’s other pop superstars like P!NK and Britney Spears, while at the same time, staying true to her image and not diverting too far from where she began with this record. While she may have released some brighter pop singles, there’s always a little mystique behind her showmanship.
Let Go starts off underground with a grinding steel bass guitar and a heavy grunge-like chorus, “Losing Grip” emotes with a heavy tone, how one person can make another break down to their lowest and deepest core so effortlessly. Following that, “Complicated” is the lead single off the album, still heard on mainstream radio stations to this day. And, why? Because it truly is a head-shaking, rant-raving; song that lets all its frustration out in one burst. “Sk8ter Boi” and “I’m With You” were the other top two singles to come away from the album that launched Avril into the stardom that she now holds amongst her fans in the music world. Some key tracks that are worth the listen though are, “Things I’ll Never Say” and “My World.” They are fun, lyrically and very relatable to most of us.
Gloria Estefan
For over 35 years, Gloria Estefan has dominated both the latin and pop charts. Her dramatized, sultry voice; sings to the tone of love, passion and heartache like no other. Adding her Hispanic flair, Estefan fuels each song with a telenovela / soap opera theme that hypnotizes the listener’s ear till their heart’s content. From her beginnings with The Miami Sound Machine, to riding solo alongside her equally famed husband Emilio Estefan, Gloria is a force to be reckoned with amongst her female counterparts including: Mariah Carey, Shania Twain, and Cèline Dion. Let It Loose was my introduction Estefan and Latin music overall.
Let It Loose blends its keyboard and percussion sound perfectly throughout the record, while Estefan’s vocals stream right through the instrumentation and sound eloquently. The ‘80s-pop dramatics along with the excitement of the jazz and latin tones make for the album itself to transform into a romantic story book or short movie. “Betcha Say That” eases the listener into the record, and is a light flirtatious tune. The title track “Let It Loose,” is purely a carefree dance track. Along the chart-topper “Rhythm Is Gonna Get You” and “1-2-3” the album is aligned equally with dance floor sensations, and desirable and sexy ballads. “Can’t Stay Away from You” is the ideal standout ballad that holds the record together and entrances the listener open themselves up to the rest of the album.
Cassadee Pope, Kacey Musgraves,Taylor Swift, Hannah Ellis, and Shinedown would definitely be a few of my biggest influences for this record.
2. When and where did you come up with the concept for “21”.
So, I wrote “Him” after coming home from my boyfriend’s house and something just hit me. Throughout my 21st year of life, I went through a lot mentally and emotionally. Not only was I tackling college, two jobs, and an internship, but I was also going through a tough breakup after having been together for four years and falling out of love awhile prior to the breakup. After the breakup, I started going through another romantic situation with a friend that just went south. For a while, I was really down on myself in the world of romance and I just didn’t think true love existed… Then unexpectedly, I fell in love again with my current boyfriend and he literally brought out the music in me. He was the ultimate reward to one of the toughest years of my life and once I wrote, “Him,” I was inspired to tell the story of my 21st year of life after not writing, or playing music for over a year.
3. How did you come about recording your first album?
We recorded, “Him,” first in November of 2018 and then I released the news about the single on my 22nd birthday (December 3, 2018). I also announced that I would be releasing a full-length album titled, ‘21,’ later in 2019. We didn’t actually record the rest of the album until March of 2019 and it took about two months total to record and really put it together collectively and creatively. I will never forget the last night we spent recording the album, it was like 2 AM one night in April after an award show the music department was hosting at my college, Monmouth University. We recorded the final two vocals that night and then the record was done. It was the best feeling ever.
4. What was your favorite track to record?
My favorite record was definitely the second single I released off the album which was, “More.” It’s the last song on the record. It is the last because it makes me feel strong and empowered about who I am both as an individual and an artist in particular going forward. The rest of the album kind of resembles who I was when I was 21 and who I used to be. “More” is who I feel like I am now that I am in a better place in my life and it is the foreshadow of the sound and vulnerability that is to come next in my future music.
5. Do you feel pulled more towards one genre of music over another?
I feel that we morph into what inspires us, specifically as a musician. As you go through different experiences and life events, you become a part of that scene, or culture that is surrounding you at that moment. Same thing with music. I listened to a lot of different music. I am rooted in pop punk, but I love pop and country music. I feel like there will always be a little pop punk in my music because of those roots, but that is what makes me Kelli Faith and not someone else. It feels very natural as I just build upon myself and the music I create to become an embodiment of everything I am inspired by.
6. As a women in music, how do you see yourself in contributing to the music scene, and your growth as an artist?
Early on, I felt like I could not write love songs because it was such a stereotype, then as I grew into my artist persona as Kelli Faith; I came to understand that it did not matter what I was writing about because I was writing from my own heart and my own perspective. I saw a lot of male artists like Maroon 5, or Ed Sheeran make hits from love songs countless times over and no one’s ever judged them for any of those songs. So, in response to experiencing all of this, I stopped caring about what others might think about me, or what I had to say in my music. Instead, I let my heart take the reigns and my emotions do the driving. I feel like my music could inspire more women to allow themselves to be emotional and authentic in their own music. ‘21’ taught me not to hold back and that is what I want to help other women, and just anyone in general, and/or in music do.
7. Who are some of the personalities that helped you craft “21”?
Craig Smith and Alex Peragine helped me mix, master, produce, and record the entire record. They were essential to building the framework of the album, I am incredibly grateful. I had a lot of instrumental production behind my record as well, including: Dee DiMeola, Cassidy Crosby, Julia Whary, and Jay Sweet. Lastly, the promotional team really brought out the best content to display ‘21’ in its final stages: Summer DeFalco for photography, Nicole Govel for the album artwork, Jenna Bruno for PR, Angelica Pasquali and Nicole Diglio for the logo and video content you will see in the coming weeks. Kris Khunachek also produced the music video for “More” and he is simply amazing.
8. Who would you dream of touring with if you should blossom further into your music career?
I think that would definitely be Cassadee Pope. I feel like I would be the perfect opener for her shows. I would never want to be so big of an artist where I couldn’t go outside into the public eye by myself. I feel that her artistry and energy very much aligns to mine, so that really attracts me to her and other artists like Kacey Musgraves. Kacey Musgraves is just on a bit of a larger scale, but if that were to ever happen, anything is a dream to be honest.
9. How do you feel your schooling or your growth inspired your artistry?
What came out of Monmouth University were the connections and friendships that allowed me to explore my creativity. I gained a large understanding from a PR class on branding and etc, however, the majority of my inspiration and thought process behind the album did not come from schooling or lessons, but the connections I made throughout college.
10. What’s next after “21”?
There will be another music video coming in the future for sure. Be prepared for a small tour once the album gets released probably later in the winter. Like I had mentioned before, ‘21’ taught me to not hold back, so I think whatever music is to come, will definitely demonstrate a new side to Kelli Faith. A lot has happened in the making of this album and I think it truly curated a perfect setup to my future music.
“Music expresses that which cannot be said and on which it is impossible to be silent.”
— Victor Hugo.
This is the first post on my new blog. I’m just getting this new blog going, stay tuned! It is going to revolutionize the music industry overall but, with a focus on the Country genre more specifically. Women will rise again.
Women In Music 